Los Angeles and the King Cole Trio

Nat Cole and three other musicians formed the "King Cole Swingers" in Long Beach and played in a number of local bars before getting a gig on the Long Beach Pike for $90 per week.

Nat married a dancer Nadine Robinson, who was also with Shuffle Along, and moved to Los Angeles where he formed the Nat King Cole Trio. The trio consisted of Nat on piano, Oscar Moore on guitar, and Wesley Prince on double bass. The trio played in Los Angeles throughout the late 1930s and recorded many radio transcriptions.

Cole did not achieve widespread popularity until "Sweet Lorraine" in 1940. Although he sang ballads with the trio, he was shy about his voice. While Cole prided himself on his diction, he never considered himself a strong singer. His subdued style, however, contrasted well with the belting approach of most jazz singers.

During World War II, Wesley Prince left the group and Cole replaced him with Johnny Miller. The King Cole Trio signed with the fledgling Capitol Records in 1943 and stayed with the recording company for the rest of Cole's career. By the 1950s, Cole's popularity was so great that the Capitol Records building, on Hollywood and Vine, was sometimes referred to as "The House that Nat Built".

Cole was considered a leading jazz pianist, appearing, for example, in the first Jazz at the Philharmonic concerts. His revolutionary lineup of piano, guitar and bass in the time of the big bands became a popular set up for a jazz trio. It was emulated by many musicians, among them Art Tatum, Ahmad Jamal, Oscar Peterson, Tommy Flanagan , and blues pianists Charles Brown and Ray Charles. He also performed as a pianist on sessions with Lester Young, Red Callender, and Lionel Hampton.

Politics

On August 23, 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after being attacked on stage by white supremacists in 1956 (see below).

Singing career

King Cole's first mainstream vocal hit was his own "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon and recorded in 1943 at Johnny Mercer's invitation for the start-up Capitol Records label. Selling over 500,000 copies, the song's success propelled Nat into the charts while showing that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, this song is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.

Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period with such hits as "The Christmas Song" (1946), "Nature Boy" (1948), "Mona Lisa" (1950), "Too Young" (the #1 song in 1951)[1], and his signature tune "Unforgettable" (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his musical roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight. In 1991, Mosaic Records released the Complete Capitol Recordings of the Nat King Cole Trio, which contained 349 songs on 27 LPs or 18 CDs. Cole's unparalleled record sales revenues helped fuel much of Capitol Records' success during this period; this commercial success is also widely acknowledged to have played a significant role in financing the distincitve Capitol Records building on Vine Street in Los Angeles, California. Completed in 1956, the world's first circular office building was and is known by many as "the house that Nat built."

Making Television History

On November 5, 1956, The Nat King Cole Show debuted on NBC-TV. While commentators have often erroneously hailed Cole as the first African-American to host a network television show (an honor belonging to Hazel Scott in 1950), the Cole program was the first of its kind hosted by a star of Nat Cole's magnitude. Initially begun as a 15 minute show on Monday night, the show was expanded to a half hour in July 1957. Despite the efforts of NBC, as well as many of Cole's industry colleagues, (most of whom, such as Ella Fitzgerald and Harry Belafonte, worked for industry scale in order to help the show save money), The Nat King Cole Show was ultimately done in by a lack of national sponsorship (companies such as Rheingold Beer assumed regional sponsorship of the show, but a national sponsor never appeared). The last episode of The Nat King Cole Show aired December 17, 1957. Cole had survived for over a year, and it was he, not NBC, who ultimately decided to pull the plug on the show (NBC, as well as Cole himself, had been operating at an extreme financial loss). Commenting on the lack of sponsorship his show received, Cole quipped shortly after its demise, "Madison Avenue is afraid of the dark."

Notable appearances on Television shows other than his own:

• Ed Sullivan: Nat King Cole was on the Ed Sullivan show six times before his own show ran regularly in 1957. He appeared twice after his show ended, once in 1958 and once in 1961.

Nat King Cole Appearances on The Ed Sullivan Show by: Season, Episode and Production Number, Air Date, Episode Title

• • Season 9 (380.9-2 02-Oct-1955)
    • Scheduled: Nat King Cole; "Fanny" cast and Josh Logan
  • Season 9 (383.9-5 23-Oct-1955)
    • Scheduled: Nat King Cole & wife Maria; Jack Palance and Rod Steiger
  • Season 9 (404.9-26 18-Mar-1956)
    • Scheduled: Marcel Marceau; Eli Wallach; Nat King Cole and Cesare Siepe
  • Season 9 (405.9-27 25-Mar-1956)
    • Scheduled: Nat King Cole; Jack Carter and Reese & Davis
  • Season 9 (411.9-33 06-May-1956)
    • Scheduled: Tony Martin; Nat King Cole; Edie Adams; The Lovers and Will Jordan
  • Season 9 (416.9-38 10-Jun-1956)
    • Scheduled: Nat King Cole; Bob Hope (on film); Jack Carter and film: "A Short Vision"
  • Season 11 (510.11-29 13-Apr-1958)
    • Scheduled: Nat King Cole; Mickey Mantle; Yogi Berra and Jack Norworth
  • Season 14 (648.14-16 29-Jan-1961)
    • Scheduled: Carmen McRae; Carol Channing and Nat King Cole

• Dinah Shore: Nat King Cole was also on the Dinah Shore show – singing "Mr. Cole Won’t Rock & Roll" – in the early 1960’s.

Marriage, Children and other personal details

It is not certain that Nat King Cole was born in 1919, and the correct date may never be known. Nat used four different dates himself on official documents. These are 1915, 1916, 1917, and 1919.

Cole's first marriage, to Nadine Robinson, ended in 1948. On March 28 (Easter Sunday), just 6 days after his divorce became final, Nat King Cole married singer Maria Hawkins Ellington (no relation to Duke although she had sung with his band). They were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr.. They had five children: daughter Natalie was born in 1950, followed by adoption of Carol (the daughter of Maria's sister) and a son Nat Kelly Cole, who died in 1995. Twin girls Casey and Timolin were born in 1961.

In 1948, Cole purchased a house in the all-white Hancock Park neighborhood in Los Angeles, California. The property owners association told Cole they didn't want any undesirables moving in. Cole retorted "Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain."

Nat carried on affairs throughout his marriage. By the time he contracted lung cancer, he was estranged from his wife Maria in favor of actress Gunilla Hutton (Nurse Goodbody of Hee Haw fame). However, he was together with his wife during his illness and she stayed with him until his death. In interview, his wife Maria has expressed no lingering resentment over his affairs, but rather focused on his musical legacy and the class he exhibited in all other aspects of his life.

Nat was a heavy smoker, smoking up to three packs a day. He believed smoking kept his voice low. (He would, in fact, smoke several cigarettes in quick succession before a recording for this very purpose.) He died of lung cancer on February 15, 1965, at St. John's Hospital in Santa Monica, California. His funeral was held at St. James Episcopal Church on Wilshire Boulevard in Los Angeles. His remains were interred inside Freedom Mausoleum at Forest Lawn Memorial Park in Glendale, California.

Notable Songs

• "Straighten Up and Fly Right" (Nat King Cole Definitive American Standard and Library of Congress National Recording Registry)
• "Its Only a Paper Moon" (Definitive Jazz Standard)
• "Sweet Lorraine" (Smithsonian Museum Definitive American Standard)
• "Embraceable You" (George and Ira Gershwin Smithsonian Museum Definitive American Standard 1943 Nat King Cole Trio Version)
• "Embraceable You" (Definitive Valentine's Day Standard March 23,1961 Nat King Cole Trio Last Recording)
• "Gee Baby, Ain't I Good to You" (Definitive Jazz Standard)
• "I'm Thru with Love" (Definitive Jazz Standard)
• "The Frim Fram Sauce" (Nat King Cole Definitive Jazz Standard)
• "(Get Your Kicks On) Route 66" (Bobby Troup Definitive Jazz Standard),also Grammy Hall of Fame
• "Baby, Baby All the Time" (Definitive Jazz Standard)
• "You Call It Madness" (Definitive Jazz Standard)
• "(I Love You) For Sentimental Reasons" (Definitive American Standard) Covered by Five Star in 1994
• "The Christmas Song" with its opening line "Chestnuts roasting on an open fire", (Mel Torme Definitive American Standard) (Nat's version recently voted the number one Christmas song of all time), also Grammy Hall of Fame Arranged by Charlie Grean
• "Too Marvelous for Words" (Johnny Mercer Definitive Jazz Standard)
• "For All We Know" (Great American Standard Nat King Cole Trio Version)
• "Nature Boy" composed by Eden Ahbez, also Grammy Hall of Fame Arranged by Frank De Vol
• "You've Changed" (Definitive Jazz Standard)
• "Portrait of Jennie" (Definitive American Movie Standard) Arranged by Carlyle Hall
• "Lush Life" (Billy Strayhorn Jazz and Cabaret Standard; Smithsonian Museum Definitive American Standard 1961 Ralph Carmichael Version of the 1949 Pete Rugolo Arrangement)
• "Orange Colored Sky" (American Television Standard) Arranged by Pete Rugolo
• "You Stepped Out of a Dream" (Definitive Jazz Standard) Arranged by Pete Rugolo
• "Mona Lisa" (Definitive American Movie Standard and Academy Award Winner) Arranged by Nelson Riddle
• "Too Young" (Great American Standard) 23 Weeks at #1 on Your Hit Parade Arranged by Nelson Riddle
• "Unforgettable" later re-recorded as a duet by his daughter Natalie Winner of 7 Grammy Awards and Grammy Hall of Fame Arranged by Nelson Riddle
• "Walkin' My Baby Back Home" (Definitive American Standard) Arranged by Billy May
• "That's All" (Definitive American Standard) Arranged by Nelson Riddle
• "Blue Gardenia" (Definitive American Movie Standard) Arranged by Nelson Riddle
• "This Can't be Love" (Definitive American Movie Standard) Arranged by Nelson Riddle
• "Darling Je Vous Aime Beaucoup" (Great French Cabaret Standard) Arranged by Nelson Riddle
• "Answer Me, My Love" (Definitive German Standard) Arranged by Nelson Riddle
• "Smile" (Charlie Chaplin Great American Standard) Arranged by Nelson Riddle
• "Autumn Leaves" (Great French Cabaret Standard) Arranged by Nelson Riddle
• "A Blossom Fell" (Great British Standard) Arranged by Nelson Riddle
• "You Can Depend on Me" (Definitive Jazz Standard)
• "Candy" (Definitive Jazz Standard)
• "Caravan" (Duke Ellington Great Jazz Standard)
• "Sometimes I'm Happy" (Definitive Jazz Standard)
• "Stardust" (Hoagy Carmichael Definitive American Standard)(Smithsonian Museum Definitive American Standard) Arranged by Gordon Jenkins
• "When I Fall in Love" (Definitive American Standard) Arranged by Gordon Jenkins
• "When Sunny Gets Blue" (Great American Standard) Arranged by Gordon Jenkins
• "Ain't Misbehavin" (Fats Waller Great Jazz Standard) Arranged by Gordon Jenkins
• "These Foolish Things (Remind Me of You)" (Great British Standard) Arranged by Billy May
• "The Very Thought of You" (Ray Noble Great British Standard) Arranged by Gordon Jenkins
• "For All We Know" (Great American Standard) Arranged by Gordon Jenkins
• "But Beautiful" (Great American Standard) Arranged by Gordon Jenkins
• "Non Dimenticar" (Great Italian Cabaret Standard) Arranged by Nelson Riddle
• "Saint Louis Blues" (W.C. Handy Great Blues Standard) the definitive version of the most recorded blues song Arranged by Nelson Riddle
• "The Touch of Your Lips" (Ray Noble Great British Standard) Arranged by Ralph Carmichael
• "I Remember You" (Johnny Mercer Great Cabaret Standard) Arranged by Ralph Carmichael
• "Poinciana" (Great American Cabaret Standard) Arranged by Ralph Carmichael
• "A Nightingale Sang in Berkeley Square" (Great British Standard) Arranged by Ralph Carmichael
• "Let There Be Love"
• "Day In, Day Out" (Johnny Mercer Great American Standard) Arranged by Billy May
• "L-O-V-E" (Definitive American Standard) Arranged by Ralph Carmichael
• "Ramblin' Rose"

Discography (Albums)

Los Angeles and the King Cole Trio

Nat Cole and three other musicians formed the "King Cole Swingers" in Long Beach and played in a number of local bars before getting a gig on the Long Beach Pike for $90 per week.

Politics

On August 23, 1956, Cole spoke at the Republican National Convention in the Cow Palace, San Francisco, California. He was also present at the Democratic National Convention in 1960, to throw his support behind President John F. Kennedy. Cole was also among the dozens of entertainers recruited by Frank Sinatra to perform at the Kennedy Inaugural gala in 1961. Nat King Cole frequently consulted with President Kennedy (and later President Johnson) on the issue of civil rights. Yet he was dogged by critics, who felt he shied away from controversy when it came to the civil rights issue. Among the most notable was Supreme Court Justice Thurgood Marshall, who was upset that Cole didn't take stronger action after being attacked on stage by white supremacists in 1956 (see below).

Singing career

King Cole's first mainstream vocal hit was his own "Straighten Up and Fly Right", based on a black folk tale that his father had used as a theme for a sermon and recorded in 1943 at Johnny Mercer's invitation for the start-up Capitol Records label. Selling over 500,000 copies, the song's success propelled Nat into the charts while showing that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, this song is considered a predecessor to the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.

Making Television History

On November 5, 1956, The Nat King Cole Show debuted on NBC-TV. While commentators have often erroneously hailed Cole as the first African-American to host a network television show (an honor belonging to Hazel Scott in 1950), the Cole program was the first of its kind hosted by a star of Nat Cole's magnitude. Initially begun as a 15 minute show on Monday night, the show was expanded to a half hour in July 1957. Despite the efforts of NBC, as well as many of Cole's industry colleagues, (most of whom, such as Ella Fitzgerald and Harry Belafonte, worked for industry scale in order to help the show save money), The Nat King Cole Show was ultimately done in by a lack of national sponsorship (companies such as Rheingold Beer assumed regional sponsorship of the show, but a national sponsor never appeared). The last episode of The Nat King Cole Show aired December 17, 1957. Cole had survived for over a year, and it was he, not NBC, who ultimately decided to pull the plug on the show (NBC, as well as Cole himself, had been operating at an extreme financial loss). Commenting on the lack of sponsorship his show received, Cole quipped shortly after its demise, "Madison Avenue is afraid of the dark."

Marriage, Children and other personal details

It is not certain that Nat King Cole was born in 1919, and the correct date may never be known. Nat used four different dates himself on official documents. These are 1915, 1916, 1917, and 1919.

Notable Songs

• "Straighten Up and Fly Right" (Nat King Cole Definitive American Standard and Library of Congress National Recording Registry)
• "Its Only a Paper Moon" (Definitive Jazz Standard)
• "Sweet Lorraine" (Smithsonian Museum Definitive American Standard)
• "Embraceable You" (George and Ira Gershwin Smithsonian Museum Definitive American Standard 1943 Nat King Cole Trio Version)
• "Embraceable You" (Definitive Valentine's Day Standard March 23,1961 Nat King Cole Trio Last Recording)
• "Gee Baby, Ain't I Good to You" (Definitive Jazz Standard)
• "I'm Thru with Love" (Definitive Jazz Standard)
• "The Frim Fram Sauce" (Nat King Cole Definitive Jazz Standard)
• "(Get Your Kicks On) Route 66" (Bobby Troup Definitive Jazz Standard),also Grammy Hall of Fame
• "Baby, Baby All the Time" (Definitive Jazz Standard)
• "You Call It Madness" (Definitive Jazz Standard)
• "(I Love You) For Sentimental Reasons" (Definitive American Standard) Covered by Five Star in 1994
• "The Christmas Song" with its opening line "Chestnuts roasting on an open fire", (Mel Torme Definitive American Standard) (Nat's version recently voted the number one Christmas song of all time), also Grammy Hall of Fame Arranged by Charlie Grean
• "Too Marvelous for Words" (Johnny Mercer Definitive Jazz Standard)
• "For All We Know" (Great American Standard Nat King Cole Trio Version)
• "Nature Boy" composed by Eden Ahbez, also Grammy Hall of Fame Arranged by Frank De Vol
• "You've Changed" (Definitive Jazz Standard)
• "Portrait of Jennie" (Definitive American Movie Standard) Arranged by Carlyle Hall
• "Lush Life" (Billy Strayhorn Jazz and Cabaret Standard; Smithsonian Museum Definitive American Standard 1961 Ralph Carmichael Version of the 1949 Pete Rugolo Arrangement)
• "Orange Colored Sky" (American Television Standard) Arranged by Pete Rugolo
• "You Stepped Out of a Dream" (Definitive Jazz Standard) Arranged by Pete Rugolo
• "Mona Lisa" (Definitive American Movie Standard and Academy Award Winner) Arranged by Nelson Riddle
• "Too Young" (Great American Standard) 23 Weeks at #1 on Your Hit Parade Arranged by Nelson Riddle
• "Unforgettable" later re-recorded as a duet by his daughter Natalie Winner of 7 Grammy Awards and Grammy Hall of Fame Arranged by Nelson Riddle
• "Walkin' My Baby Back Home" (Definitive American Standard) Arranged by Billy May
• "That's All" (Definitive American Standard) Arranged by Nelson Riddle
• "Blue Gardenia" (Definitive American Movie Standard) Arranged by Nelson Riddle
• "This Can't be Love" (Definitive American Movie Standard) Arranged by Nelson Riddle
• "Darling Je Vous Aime Beaucoup" (Great French Cabaret Standard) Arranged by Nelson Riddle
• "Answer Me, My Love" (Definitive German Standard) Arranged by Nelson Riddle
• "Smile" (Charlie Chaplin Great American Standard) Arranged by Nelson Riddle
• "Autumn Leaves" (Great French Cabaret Standard) Arranged by Nelson Riddle
• "A Blossom Fell" (Great British Standard) Arranged by Nelson Riddle
• "You Can Depend on Me" (Definitive Jazz Standard)
• "Candy" (Definitive Jazz Standard)
• "Caravan" (Duke Ellington Great Jazz Standard)
• "Sometimes I'm Happy" (Definitive Jazz Standard)
• "Stardust" (Hoagy Carmichael Definitive American Standard)(Smithsonian Museum Definitive American Standard) Arranged by Gordon Jenkins
• "When I Fall in Love" (Definitive American Standard) Arranged by Gordon Jenkins
• "When Sunny Gets Blue" (Great American Standard) Arranged by Gordon Jenkins
• "Ain't Misbehavin" (Fats Waller Great Jazz Standard) Arranged by Gordon Jenkins
• "These Foolish Things (Remind Me of You)" (Great British Standard) Arranged by Billy May
• "The Very Thought of You" (Ray Noble Great British Standard) Arranged by Gordon Jenkins
• "For All We Know" (Great American Standard) Arranged by Gordon Jenkins
• "But Beautiful" (Great American Standard) Arranged by Gordon Jenkins
• "Non Dimenticar" (Great Italian Cabaret Standard) Arranged by Nelson Riddle
• "Saint Louis Blues" (W.C. Handy Great Blues Standard) the definitive version of the most recorded blues song Arranged by Nelson Riddle
• "The Touch of Your Lips" (Ray Noble Great British Standard) Arranged by Ralph Carmichael
• "I Remember You" (Johnny Mercer Great Cabaret Standard) Arranged by Ralph Carmichael
• "Poinciana" (Great American Cabaret Standard) Arranged by Ralph Carmichael
• "A Nightingale Sang in Berkeley Square" (Great British Standard) Arranged by Ralph Carmichael
• "Let There Be Love"
• "Day In, Day Out" (Johnny Mercer Great American Standard) Arranged by Billy May
• "L-O-V-E" (Definitive American Standard) Arranged by Ralph Carmichael
• "Ramblin' Rose"

Discography (Albums)

Filmography

• Citizen Kane (1941) (off-screen)
• Here Comes Elemer (1943)
• Pistol Packin' Mama (1943)