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Einstuerzende Neubauten music styles:Experimental |
download "Hospitalische Kinder-Engel Der Vernichtung"
"Hospitalische Kinder-Engel Der Vernichtung" lyrics
Einstuerzende Neubauten - "9-15-2000, Brussels"
"9-15-2000, Brussels" album
Einstuerzende Neubauten
Einstürzende Neubauten
Country
Germany
Years active
1980-present
Genres
Industrial music
Experimental music
Labels
Mute Records
Members
Blixa Bargeld, Alexander Hacke, N.U. Unruh, Jochen Arbeit and Rudi Moser
The band name
The band name is usually translated into English as "Collapsing new buildings", where "collapsing" is an adjective, not a verb, and Neubauten generally carries the more specific connotation of a high-rise tower block. Also, the term Neubauten is generally associated with post-World War II buildings, which, due to the destruction during the second World War and extensive rebuilding thereafter, include a large number of buildings in West Germany.
History
1980 (the beginning)
On April 1, 1980, Einstürzende Neubauten made their first appearance in the Moon Club in Berlin. This date is considered to be the band's birthday. Their name was a reference to the Berlin Kongresshalle, a post-war "new building," which had collapsed earlier that year. At that time the band was just a coincidental live set-up of the Dadaistic musical movement the Geniale Dilettanten. This line-up featured Beate Bartel and Gudrun Gut, Blixa Bargeld, and N.U. Unruh, who later went on to record music under the name of Einstürzende Neubauten. The two female members Bartel and Gut left the band after a short period of performing and founded the girl-band Mania D.. A young sound technician and multi-instrumentalist Alexander von Borsig (alias Alexander Hacke), fifteen years old at that time, joined the band and became a long-time member.
1981-1982
In 1981 the percussionist F.M. Einheit (from the Hamburg band Abwärts) joined Einstürzende Neubauten and they released their first LP Kollaps, a strange and new mixture of rough punk tunes and industrial noises using obscure instruments such as metal plates, self-made music machines, and various electronic sounds. The live performances with FM Einheit in the 1980s included lots of metal banging and destruction on stage, which became legendary.
1983-1984
In 1983, Einstürzende Neubauten recorded their second album Zeichnungen des Patienten O. T.. The title comes originally from a book of the writer Leo Navratil, which describes the drawings of Oswald Tschirtner, O.T. 1974. Also in 1983 Blixa Bargeld joined the band The Birthday Party (featuring Nick Cave, Mick Harvey). After it was disbanded a short time later, he became a long-time member of one of the bands that rose from The Birthday Party's ashes - Nick Cave and the Bad Seeds (featuring Nick Cave and Mick Harvey). Blixa Bargeld remained a full-time member of two bands, Einstürzende Neubauten and Nick Cave and the Bad Seeds, until 2003.
1985-1989
The band's next foray, Halber Mensch (1985), may be seen as the developmental breakthrough of their musical career. Musical structure became more evident, with Bargeld's lyrics and singing in particular changing from shouted words and phrases into organized, poetic melodies.
1990-1995
In 1991, the band tried something completely new, recording the soundtrack for Heiner Müller's play Die Hamletmaschine (The Hamlet Machine). The band image of Einstürzende Neubauten changed. Blixa Bargeld, formerly wearing punk/industrial style clothes, appeared at the live concerts in a suit.
1996-1999
A short time later, the band released the next album Ende Neu (1996). A song "Stella Maris" - a duet of Blixa Bargeld with the female singer and Hacke's spouse Meret Becker - became quite famous. A world tour followed the release. During this time, Jochen Arbeit and Rudi Moser (both were the members of Die Haut) joined the band.
2000-2001
2002-2004
In 2002, Einstürzende Neubauten began work on a new album without the backing of a record label, relying instead upon supporter participation in an experiment of a type of Street Performer Protocol combined with an internet community and touches of the patronage system. About 2,000 supporters signed up to support what became Phase I by paying 35 US$ or EUR to participate in the experience and receive the results. Numerous sessions of the recording and creating of the next album, were translated to the supporters community via the internet, as a streaming video. An exclusive Supporter Album #1 was sent out to them in autumn 2003. Blixa Bargeld left Nick Cave and the Bad Seeds in 2003. In order to go on tour, the band reneged on the idea of creating a supporter-only album, and cooperated with Mute Records to go on tour and release Perpetuum Mobile in 2004. The air sounds, such as blowing the plastic pipes with an air compressor, were greatly explored and used for this album.
2005
The band also started a new project called Musterhaus in early 2005. The first CD Anarchitektur was sent out in May of 2005, and was also available for download to Musterhaus subscribers. The Musterhaus project is a "line of releases intended to give the band an outlet for more experimental impulses and exploration." Musterhaus releases are released roughly every 3 months.
2006
Phase III of the Supporter's project started on February 10th. On February the 25th, the fourth part of the Musterhaus series, called Redux Orchestra vs. Einstürzende Neubauten was completed. One of the new additions to Phase III was a piece-by-piece album available only to supporters, consisting of 12 jewels as the band calls them. Starting in March, these downloadable tracks were released on or around the 15th of the month and are drawn from singer Bargelds' dreams. Available so far;
Members
Blixa Bargeld: lead vocals, guitar, keyboards. (real name: Christian Emmerich, original member)
Alexander Hacke: bass, guitar, vocals (also known as Alexander von Borsig, since 1980)
N.U. Unruh: special built instruments, percussion, vocals (real name: Andrew Chudy, original member)
Jochen Arbeit: guitar, vocals (since 1997)
Rudi Moser: special built instruments, percussion, vocals (since 1997)
Other personalities
Ash Wednesday: keyboards, electronics (touring member since 1997, perhaps named for the Australian bush fires, perhaps for the holiday)
Boris Wilsdorf - sound engineer
Erin Zhu - executive producer, webmaster of neubauten.org.
Ari Benjamin Meyers - frequent collaborator, with Redux Orchestra and on Piano
Previous members
Beate Bartel: bass (original member, only in the band for a short time in 1980)
Gudrun Gut: keyboards (original member, only in the band for a short time in 1980)
F.M. Einheit: percussion, vocals (real name: Frank Martin Strauß, 1981-1995)
Mark Chung: bass, vocals (1981-1994)
Roland Wolf: keyboards, bass (replaced Mark Chung in 1995, died in a traffic accident short time later)
Singles
"Für den Untergang" (1980)
"Kalte Sterne" (1981)
"Thirsty Animal" (1982) (with Lydia Lunch & Rowland S. Howard)
M. Bullynck and I. Goerlandt: "The Semiotics of Einstürzende Neubauten's 'X'". In: Philament 7 (2005), pp. 1-8. [1]
A. Spencer: "Einstürzende Neubauten und Heiner Müller: 'Kopfarbeit' or The Theatre in Your Head". In: Amsterdamer Beiträge zur neueren Germanistik 48 (2000), pp. 203–222.
External links
Official Einstürzende Neubauten webpage
Official Blixa Bargeld webpage
Official Alex Hacke webpage
Official F.M. Einheit webpage
Official Ash Wednesday webpage
From The Archives: a site with discography, concert history, videography, bibliography, etc. Also features Nick Cave and the Bad Seeds, The Birthday Party and related artists.
Einstürzende Neubauten Lyrics
Einstürzende Neubauten Discography webpage
Doing the unspeakable On the 25th anniversary of the legendary German band, Max Dax interviewed its co-founder and multi-instrumentalist Alexander Hacke on Berlin in the eighties and the End Time aesthetics of Berlin's Kreuzberg district at signandsight.com.